As a devoted fan of the graphic novel, I'll admit that I approached Zack Snyder's Watchmen adaptation with some serious doubts. I didn't think anyone could pack the full breadth of the story Time magazine has called one of the 100 Best Novels into a linear theatrical experience.
I was (mostly) wrong. Snyder's film is slavishly reverential to the book -- sometimes debillitatingly so -- but no one can say that Snyder didn't get it right. Of course, in this case, "it" means "translating the comic to the big screen, panel-for-panel," which is part of the reason why it's seeing so many negative reviews from people who've never read the book.
And thus, in the interest of being an apologist for the entire Watchmen experience, I bring you 10 Things People Don't Seem to Get About the Watchmen:
1. This isn't a film, it's an homage.
Snyder knew this movie would be violently dissected by legions of rabid fanboys who consider Watchmen to be an untouchable, unadaptable work that legitimizes the entire genre of sequential art. So instead of applying his own vision to the project, Snyder realized that his only recourse was to literally translate the comic book directly to the big screen, panel by panel.
As such, there's very little negative commentary that any fan of the book can level at this film, because what does AND doesn't work on the screen has been lifted almost completely from the comic itself. To criticize the film is, fundamentally, to criticize the book -- or, more awkwardly, to criticize the fanboys themselves, who may now be realizing that the book needed to be given a life of its own if it was expected to stand alone as a film.
Which, of course, it wasn't. The Snyder version will be remembered as a near-literal translation from page to screen. Whatever version comes next, 20 or 30 years from now, will finally be able to depart drastically from the strictures of the book because now everyone knows what the thing would look like on the big screen, and the bigger question will be, "What could it look like?"
2. The film was destined to be a commercial failure.
There's no way to adapt Watchmen to the big screen without spending obscene amounts of money. And there's no way to recoup that cost without promoting the film to look like an action-packed blockbuster, so unassuming audiences will flood the multiplex. But the book is really a drama / mystery, so populist audiences are bound to be disappointed, because...
3. Watchmen is not a superhero movie.
Nearly every criticism I've heard of the movie is that it was boring. Considering that Watchmen is a story of life, love, death, politics, time, reality, sanity, physics, fantasy, sex, violence and the meaning of life, it's safe to say that the people who bought into the stereotypical rhythm of the trailer a) didn't bother reading the book, and b) were grossly disappointed to not see a 3-hour action sequence.
4. The wooden dialogue was never meant to be spoken aloud.
Snyder decided to stick with the actual dialogue from the book at nearly every turn, and that's a mistake. What's written in a word balloon is written for the eyes, not the ears. If the dialogue sounded stilted -- or, worse, if the emotional impact of the statements was blunted by their hitchy delivery -- that's because it only worked on the page.
5. Watchmen is rated R.
"R" means Restricted -- in this case, due to violence, nudity, sex, language and adult themes. People who complain that Watchmen isn't a "safe" popcorn movie that they could take their kids to clearly weren't paying attention to the whole ad. (And people who lament that this kind of sex and violence undermines the story miss the point that this is the point.)
6. Watchmen is political.
So much so, in fact, that whole political diatribes are being written about it. But it isn't specifically conservative or liberal, because every character operates according to his or her own morality and personally-defined ethics. EVERY aspect of modern society (and politics) is coldly evaluated throughout the course of the film, and the final interpretation is up to each member of the audience.
7. Alan Moore is not God.
His fans may say he is, and Moore himself may believe he is, but the truth is, Moore is just a very good writer in a genre without many talented peers, so he towers above the rest. This overinflates his ego to the point of absurdity, and makes him do silly things like condemning any adaptation of his work as an atrocity. Watchmen may the be Sistine Chapel of comic books, but the greater implication here is that there are so few Notre Dames to challenge it, which allows Moore the architect to get away with petulant murder.
8. Watchmen was published in 1986.
Since then, a quarter-century has passed, in which time most of what was genre-shattering about Watchmen at the time has now been assimilated into pop culture. The concepts of superheroes as "real people," traitors operating under noble pretenses, hyper-violence as an art form and anti-heroes as protagonists have become the norm in pop culture, rather than the breaths of fresh air they were when Moore first introduced them to the comics world. Even the idea of pop music lyrics riding shotgun within a comic page was revolutionary then; now, using those same songs in a soundtrack gets it labeled obnoxious. In order to fully appreciate Watchmen, it has to be viewed within the context of its own influence.
9. It's not all about the big blue penis.
Let the record show that when you hand an American audience a story about philosophy, psychology, politics and personal responsibility, all they'll be able to talk about is the big blue penis. (So maybe the world still isn't ready for a Watchmen movie...)
10. No, there will not be a sequel.
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